Thursday, October 20, 2011

After nearly 3,000 years, does the “Iliad” really need translating again?

BLOODY but beautiful, is there a greater poem than the “Iliad”? Depicting a few weeks in the final year of the Greek siege of Troy, Homer’s epic glitters with bronze spears and the blazing sun. Rich with his famous similes and repeated expressions, it describes a war in which men can pause from fighting in order to speak of their family lineage in terms of “As is the generation of leaves, so is that of humanity”; in which Gods can yank warriors back by their hair or cover them in a cloud of mist if it is not yet their turn to die. It is both brutally realistic (once you have heard how Phereclus died by a spear through his right buttock into his bladder, you won’t forget it) and belonging to another world—as the Greek epithet for Homer, theois aoidos or “divine singer” suggests. It is no wonder that the “Iliad” is a text that people constantly turn back to, and continually translate. . .

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Alexander: How Great?

In 51 BC, Marcus Tullius Cicero, who had reluctantly left his desk in Rome to become military governor of the province of Cilicia in southern Turkey, scored a minor victory against some local insurgents. As we know from his surviving letters, he was conscious that he was treading in the footsteps of a famous predecessor: “For a few days,” he wrote to his friend Atticus, “we were encamped in exactly the same place that Alexander occupied when he was fighting Darius at Issus”—hastily conceding that Alexander was in fact “a rather better general that you or I.” . . .
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Friday, October 14, 2011

Libyans battle to protect ancient treasures from looting

Walking along the tree-lined gravel track towards one of the Roman Empire's greatest architectural legacies, little can prepare you for what you are about to experience.
As you emerge from the shade of the tall poplars the towering stone edifice that guards Leptis Magna's approaches appears. It is simultaneously stunning and evocative. Like a blow to the sternum, it quickens the heart.
Septimus Severus's gate, a tribute to the Roman emperor responsible for much of what remains today, stands astride great Roman roadways. . .
Severus, like the country's most recent modern day ruler Moammar Gadhafi, spent lavishly on his hometown transforming it reputedly into the third greatest city in Africa, rivaling Carthage and Alexandria.

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Stone Age painting kits found in cave

The oldest known painting kits, used 100,000 years ago in the stone age, have been unearthed in a cave in South Africa.
Two sets of implements for preparing red and yellow ochres to decorate animal skins, body parts or perhaps cave walls were excavated at the Blombos cave on the Southern Cape near the Indian Ocean.

Monday, October 10, 2011

Alice Oswald: haunted by Homer

Alice Oswald thinks The Iliad has been turned into a public school poem that glamorises war. So she has rewritten it – with the footsoldiers as heroes. The poet explains herself to Sarah Crown . . .